description
"The choreographer and performer Jeremy Wade is part of the avant-garde of the Berlin dance and performance scene since 2007. His pieces are often desolate and provocative, pushing to the limits of what can be shown and said. This time around in “The Clearing,” Jeremy Wade has created a three-act post-apocalyptic horror trip that is overblown, bizarre and absurd, with him himself as a garbage-busting android, a tragic sufferer and a scrappy bird drag queen performing on a sort of apocalypse death ship. A work of science-fiction in three acts as a mirror image of our present, which has always been his concern in his plays. He diagnoses our modernity, stages an analysis of our lives in neoliberalism and its consequences. In that regard, the title "The Clearing" may also be understood as purge and purification. He is deeply concerned with an ethic of care, empathy and responsibility, forms of cooperation that seem to be losing value in performance-optimized society. The Clearing reveals a series of queer procedures, characters and affective conceptions of space driven by the compositional math of musician Marc Lohr. This is a hallucinogenic provocation where love, difficult hope, humor and perversity are all forces that weave a world together after incomprehensible loss.” Frank Schmidt
credits
Concept, Choreography, Performance
Jeremy Wade /
Music
Marc Lohr /
Stage
Rosa Birkedal /
Costumes
Claudia Hill /
Lighting Design
Andreas Harder /
Author & Outside Eye
Allison Wiltshire /
Dramaturgy
Maika Knoblich /
Artistic Collaboration & Assistance
Yoav Admoni /
Choreographic Collaboration & Coaching
Vladimir Miller, Michael Rolnick, Maria F. Scaroni /
Artistic advice
Katerina Kokkinos-Kennedy /
Set Assistance
Daniela Zorrozua /
Costume Assistance
Diane Esnault, Emilia Patrignani /
Press & Production
björn & björn, Darcey Bennett
video
thanks, production, support
Production: Jeremy Wade
Co-production: HAU Hebbel am Ufer
Supported by: Gessnerallee (Zürich), Butcherei Lindinger
Funded by: Hauptstadtkulturfonds




