description
Are you feeling anxious and depressed? Are you working harder than ever but hardly working? How’s your digestion? Does life feel at times impossible and beyond repair? No worries, it’s not only personal, it's structural! “You’re not alone.” Says Michael Jackson. Maybe Mummy’s not feeling so well because capitalism is a multi-headed vampire on crack—whose logic runs on death, risk, volatility, blood sucking and destruction in general. Jeremy Wade’s anti-future queer classic, a gut wrenching one-man show from 2015 is called Death Asshole Rave Video, where a dead clown of an asshole brutally interrogates both death and the agreements we make as a society. In this gothic and queer-scape full of endless worm holes, shit jokes, multiple costume changes and boom, a “panic attack sing along!” Wade offers subversions of impossible repair for experiencing different deaths – death of death, death of theatre, death of value, death of sense, and death of attachment. He asks: can we take death back from the algorithms of capitalist accumulation, so it functions as a good old queer strategy for living an unlivable life outside of social reproduction? If all of the social agreements that have been made are either breaking or already broken, then what's next? Come on down for some death drives beyond surplus value and queer strategies of world making through mourning!
credits

Director & Performance 

Jeremy Wade
 / 

Text 

Ezra Green in collaboration with Jeremy Wade  / 

Video 

Liz Rosenfeld  / 

Music 

Mika Risk / 

Costume 

Minttu Vesala / 

Light  

Andreas Harder / 

Artistic advice  

Thomas Schaupp, Jared Gradinger

thanks, production, support

Production: björn & björn
Coproduction: Zodiak – Center for New Dance, Jeremy Wade
Special thanks to Zodiak – Center for New Dance, Tomi Paasonen, Fritz Welch, Gerard Reyes, Alessio Castellacci, Tanzhaus Zürich and West Germany aka Stephan and Grinni.

quote

Jeremy Wade presents a one-man show: Death Asshole Rave Video. A machine that interrogates death and the agreements we make as a society. In a gothic and queer scape Wade experiments with vehicles for experiencing different deaths – death of theatre, value, sense, and attachment. He calls out for us to die before we die. He accelerates the death of western society. He asks us if all of the agreements that have been made are either breaking or already broken. Then what's next? It's time to die! Wade brings queer strategies of resistance to the stage.

– American Realness

Created together with poet Ezra Green, the performance aims to shake the audience and to provoke the cultural industry to contemplate its own futility. I am not sure if this piece succeeds in the total awakening of its audience but one thing is sure: the provocation is not cheap.

– Maria Säkö, Helsingin Sanomat

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At American Realness, the Nervous Wreckage ..

– Whitney Kimball, ARTFCITY

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Is the rectum still a grave?

– Josh Lubin, DARV Review

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